Adding my opinions to the mix…

The Tonner Doll Co. released images of the remainder of its spring 2015 line yesterday, and, like every other fashion doll collector on the Internet, I have an opinion about it.The fashion doll items were limited; out of 37 dressed dolls and fashion-only offerings, only 12 could properly be called “fashion dolls,” and that includes those from Tonner’s “Re-imagination” series. There were also four female superheros, although only one of those was ready for photography.

Does this mean that Tonner is moving toward primarily becoming a designer of child dolls and superheros? Patsy and Patsyette have been generously represented in the past few lines, and Tonner’s new child doll line, “My Imagination,” seems to be set up as a clear contender for American Girl fans, especially since the outfits appear to be designed to fit the AG body. Like many long-time Tonner fashion doll collectors, I yearn for the days of yore when Tyler and Company ruled the fashion doll market, and each line brought a bounty of different sculpts and fashions to choose from. Collectors rushed to get their orders in before editions as high as 1,500 sold out overnight. The stock market was up, times were good, and money was flowing. Of course, that was before we were all laid off in 2008.

That said, this line does see a return to the venerable House of Wentworth, although Tyler, Sydney, Esme, and friends appear to have faded into the annals of fashion doll history. Yesterday we were re-introduced to Marley Wentworth, Tyler’s all-grown-up sister. She has a strong angular profile and a colorful sense of fashion. One basic, two outfits, and three dressed dolls are being offered. I must admit that my first reaction to Marley’s sculpt was “What the hell pissed HER off?” She has a stern expression, with eyes set wide apart and lips that appear slightly pursed. But my reaction to new sculpts is often unfavorable at first–even with sculpts that I end up adoring. Even Sydney rubbed me the wrong way in the beginning. And now I have about 60 of her.

Rose Rouge Marley Wentworth

So I revisited the images of Marley throughout the day, and she did grow on me a bit. It does appear that this doll is still early in the manufacturing stage, as the sculpts appear a bit inconsistent. We probably won’t have a truly accurate representation of her until she is in stock.

Marley bears no resemblance to her 12-year-old self, but that matters little to me. Out of the four fashions pictured, two really appeal to me. My personal fashion taste favors bright, bold colors, and Marley seems to share the same aesthetic. “Skyline Blue” is a bold dress-and-skirt sleeveless ensemble that is a new, refreshing take on Tyler’s classic outfits. “Rose Rouge” has a colorful ’50s vibe with its full circle skirt and contrasting colors. On the other hand, I could do without the gowned doll “Positive Negative.” Other than its nod to No. 1 Barbie, I see nothing new or innovative–just a tired old one-shouldered gown. “Cool Chic” also does nothing for me. It seems recycled from past Cami designs, although it’s hard to really tell without being able to see what is underneath the coat.

My biggest problem with the Marley line is that it is presented in a vacuum. Clearly, these dolls are meant to be characters in an ongoing narrative–only, the narrative is conspicuously absent. There are plenty collectors who discovered Tonner’s dolls after the reign of the House of Wentworth. Who is Marley to them? Without a backstory, she’s some new doll with a weird name. I can’t understand why a company that goes to such pains to give backstories to some of its characters (Deja Vu came with her own book! Ellowyne keeps a diary!) completely ignores this vital element in other lines. I recall the days of Tonner’s portfolios, neat little booklets tucked into each doll box, describing and giving a backstory to each character and fashion. I understand that such little touches may no longer be economically feasible in today’s market, but how difficult would it be to write a little vignette on the website, filling us in on what Marley has been up to during the past ten years?

I can’t make the same complaint about Tonner’s most recent “Re-imagination” line, an enchanting reimagining of Lewis Carroll’s Alice in Wonderland. Although this line is not to my personal taste, I certainly appreciate the artistry and creativity that went into it. Casting Alice as a male character with Lewis Carol’s given name is very imaginative, and the new Mad Hatter and White Rabbit are colorful and expressive. Sometimes I think that Robert Tonner is at his artistic best when conceiving and executing Re-imagination characters. One doll that I do possess from this line is “Sheehee,” a half-man/half-woman in the Sinister Circus. I love the playfulness of this doll, and it is executed flawlessly.

Sheehee

So that’s my take on the fashion portion of Tonner’s 2015 Mainline Release. I anticipate purchasing Skyline Blue Marley and perhaps Haddy Madigan. Take a look for yourself and see what appeals most to you. I’d love to hear your feedback!

How to shop for dolls

In an age in which brick-and-mortar doll stores are—with a few preciously rare examples—a thing of the past, the vast majority of doll collectors worldwide have been left to navigate the often-confusing world of online sales. I do a great deal of my personal, non-doll shopping online, and never have I come across a commodity that varies so drastically in price as collectible fashion dolls. At any point in time, the exact same doll may vary in price from $50 to several hundred dollars on multiple websites. For a new or unschooled collector, this can be more than confusing.

Twelve years ago, when I made the move from Barbie to 16” collector dolls, most dolls were sold by brick-and-mortar doll stores or online retailers for a modest percentage off retail price. Dolls offered on the secondary market via eBay could be had for a bit less, but many dolls by highly regarded artists were in high demand and either held their value or increased in price—sometimes substantially. If a collector purchased a doll and found that she did not care for it, it was not difficult to recoup her costs—or more—on eBay. And in those days, eBay still stood by its sellers, so they were generally protected from dishonest buyers. And, as is the case now, doll boards were also generally safe marketplaces to buy and sell to other collectors. Shopping around among retailers, eBay, and doll boards was always advisable, but, in general, prices did not vary substantially.

And then came the Great Recession. I think I can safely say that within the span of several months, my collection decreased in value by about two-thirds. Even now, it isn’t worth a great deal more. I doubt it will ever regain its former value. It was painful, to be sure, but I ultimately bought those dolls to keep. They were not my livelihood. They were my hobby. I couldn’t bear to part with most of them anyway, so I didn’t lose much.

The same cannot be said for the brick-and-mortar doll retailer. In the aftermath of the Great Recession, far fewer people were able to buy dolls that cost in excess of $100, so retailers were forced to drastically cut their prices and offer deep discounts to unload their inventory. Their already-small margins got smaller, and their rents went higher and higher. And so, one by one, store-based retailers disappeared from the physical landscape. Some store owners moved to solely online sales, and others simply left the retail business altogether. Many will tell you that today, seven years on from the painful fiscal memories of 2008, being even an online retailer does not pay the bills. One by one, doll retailers are disappearing from the marketplace altogether. Manufacturer direct are slowly but surely cutting out the middleman, and I believe they will soon be the only option for buyers outside of the secondary market. Independent artists who produce their art in small batches generally have no need for a middleman at all.

All this has resulted in a vast array of prices that can be quite confusing to the new or infrequent collector. Based on my experience (and I spend way more time monitoring doll prices than I care to admit), buying dolls has become an exercise in patient research. Below, I break down the five main ways collectors make their dolly purchases and my tips on getting the most doll for your dollar.

Online retailers. There are still some out there. Those that have survived have generally been in the business for a long time—often out of love as much as any financial reward (which generally gets less each year). Long-time retailers usually have a loyal following—customers who would not think of buying from anyone else. But as their pocketbooks continue to feel the pinch of a sagging economy, those customers are dwindling, and retailers must compete for sales with other sellers who often use deep discounts to unload their inventory. And retailers are increasingly competing with the manufacturers themselves, who are turning to discounted direct sales to sell their product.

The biggest rule in purchasing a doll—regardless of where you buy it—is NEVER PAY RETAIL. The second rule: WAIT. For almost all fashion dolls I know of, the longer a doll is on the market, the further its price will go down. There are some exceptions to this rule—some convention dolls and uber-limited-edition FBJDs—but not many. The days of skyrocketing secondary market prices are over. Even one month can make a difference. After retailers sell to all of the suckers with deep pockets who must be first in line and are willing to pay full price, they will discount their product. The longer you can wait, the cheaper it will be.

Impromptu sales are often the best times to grab those dolly deals. Make sure you are on the mailing lists of your favorite retailers AND your favorite manufacturers. Today’s sales can be frequent and generous—and it’s first come, first served. If it’s an announced sale, monitor that in-box often and make sure your Internet connection is a fast one.

Doll boards. Fashion doll collectors are continually attracted to the next shiny object, and, like most people, their pockets are not bottomless. So, when the next pretty dolly catches their eye and they don’t have the funds to purchase it, they rob Peter to pay Paul. Collectors generally recognize that, these days, they usually can’t sell a doll for what they paid for it, so they’ll offer attractive deals. Doll boards are an increasingly popular place to unload unwanted dolls as eBay continues to institute seller-unfriendly practices that put sellers at the mercy of dishonest buyers.

My general experience has been that doll boards keep buyers and sellers more honest than eBay does. People on doll boards generally know one another, and if a buyer or seller cheats a board member, you can be sure that person will never trade on that board again. Nothing—and I mean nothing—is scarier than a doll buyer scorned. And when she/he has loyal collector friends, watch out. (I once had a posse of angry doll collectors scare a person who had stolen a doll from my front porch so much, that person snuck back in the dead of night two weeks later and returned the doll to me. True story.)

Suffice it to say that, if you scam a fellow collector, your name will be spread so quickly across the doll community you probably won’t be able to conduct your scam twice. Doll collectors who have been scammed frequently spread the name and/or eBay ID or screen name(s) of their scammers far and wide, limiting their ability to run their scam more than once. In all of my 12 years of buying and selling dolls on the Internet, I have never had an unpleasant transaction with a doll board member. My history with eBay, on the other hand, is littered with deals gone bad with dishonest buyers and seller to which I have lost money, with eBay doing nothing to protect me.

One favorite site among collectors to buy and sell their ways has been the “Show and Sell” site of The Doll Page. For many years, Steve and Rae maintained this site out of the goodness of their hearts—never charging users any fees. Recently, the Show and Sell page fell victim to the relentless tide of changing technology, and Steve and Rae were forced to shut it down when their old software could no longer accommodate their needs. Steve and Rae provided an invaluable service to our community for a long time, and they deserve our deep gratitude.

In February, several collectors launched what they hope will become an alternative to Show and Sell. Mister Dollface aims to serve as a platform for buying, selling, and trading dolls as well as a community for collectors to share and learn from one another. Based on its current look and feel, I have high hopes for this site, and I encourage everyone to check it out and take advantage of its services.

The bottom line is, doll board sellers frequently offer incredible deals, and it’s first come, first served. Keep your eyes open, and you may find a long-sought doll for a steal of a price—offered by an honest person.

evilBay. So if doll boards are such a great place to buy and sell, why bother with eBay? The simplest answer: volume. eBay’s ubiquitous presence across the globe means that any items you place for auction or sale will be seen by a limitless number of people. And more volume means more cash. If your item appeals to more than one collector, you have the potential for a lucrative bidding war. Despite all of the transactions I conduct on doll boards, I am nearly always able to obtain a higher price on eBay. HOWEVER, the ever-escalating cut that eBay and PayPal take out of each transaction is giving me less and less motivation to use their sites. Add to that the aggravation of dealing with dishonest buyers and little or no seller protections, and those doll boards look more and more attractive.

An alternative auction site reserved just for collectible dolls called dollbid was launched last year to provide doll collectors with an alternative to evilBay. As with any David going up against a Goliath, it experienced considerable difficulties getting underway. Today, visitors to the site are greeted with a message saying the site is being “updated.” We’ll see if its owners take another stab at it.

IRL stores and shows. There is a handful left out there. If you are lucky enough to live within driving distance of one of the few remaining doll shops, GO THERE IMMEDIATELY AND BUY SOMETHING. Yes, you will likely have to pay more. Brick-and-mortar stores have overhead that online stores do not, and that needs to be taken into account. But you will not pay shipping, and you will be able to talk to A REAL HUMAN BEING about your purchase and hold it in your hands and examine it before you commit to purchasing it. If you do not live near a retailer, patronize a physical store that has an online presence. Remember, how we choose to spend our dolly dollars will determine the fate of the industry. The way we are currently purchasing our dolls means that the days are numbered for the few physical retailers that have been left standing.

Doll shows are another way to make purchases “in real life.” But they are few and far between. Check out this year’s schedule to see if there is one scheduled near you. They are great fun to attend. Even if you don’t find anything to buy, the novelty of actually seeing dolls for sale in person is more than worth the effort of going.

Manufacturer direct. More and more manufacturers are cutting out the middleman and selling direct to consumers. Some have been doing it this way for a while, and others are new to the practice. Whether this trend is good for the consumer is subject to debate. While many collectors like the personal contact and relationships they’ve cultivated with retailers, others appreciate not having to shop around for price. And going direct doesn’t necessarily mean higher prices. Manufacturers who have too much product on their shelves may offer deep discounts to liquidate their wares when necessary.

It can take the new collector a while to learn how to navigate all of these choices in order to come up with the best price. I’ve been at it for 12 years, and I still manage to overpay now and again. But if you follow the two Cardinal Rules of Doll-buying, you should be okay: 1) Never pay retail, and 2) Hold your horses. If you take time to shop around and wait for a bargain … Chances are you’ll find one.

They hide in plain sight

A gay friend of mine once told me—half-jokingly—that it was easier for him to come out as a homosexual than as a doll collector. He recounted to me how for years he had taken his dolls off a shelf in his apartment and hid them in a closet whenever he was expecting company. He described how he once literally threw them into a box while his sister knocked on his door for an unannounced visit.

Finally, he said, it just became too exhausting to carry on his charade. He told me that when he did “come out” to his family as a fashion doll collector, they seemed even more confused than when he announced to them that he was gay and had a boyfriend. “It was insane,” he told me. “My heart was beating faster than when I introduced my partner to them.”

In my experience as a doll collector, this story, while amusing, isn’t all that far-fetched. I may not hide “my girls” when I have company, but I do find myself censoring myself when it comes to talking about my dolls. I’ve also found myself mentally categorizing my friends and colleagues into those who “know” and those who “don’t know”—much, I suppose, like a closeted homosexual.

Now I don’t mean to equate being a doll collector who gets smirks when revealing her hobby with being a lesbian who must put up with homophobia on a regular basis. But there are some interesting parallels, nonetheless. Doll collectors are more than aware that many people find their hobby odd, to say the least. We are regularly confronted with questions like, “Do they stare at you at night?” “Is that a Chucky doll?” and (my favorite) “How much money did you pay for that?”

It’s no wonder we seek one another out for company. The company of other doll collectors is one of the few places we can revel in our love of all things doll and know we won’t be judged for it.

So it’s safe to say that collecting dolls is far from mainstream. This line of thinking led me to wonder if any celebrities collect dolls—and, if so, what the general reaction to that is.

The handful of famous people I already knew of who collect dolls of some sort (or at least are open about doing so) tend to be people who are otherwise perceived as—how shall I say this—“quirky.” The fact that Richard Simmons and Marie Osmond both collect and produce dolls doesn’t exactly lend a lot of credibility to the rest of us. Ditto for Morgan Fairchild, Annette Funicello, and Kathie Lee Gifford.

One mainstream doll collector who has never felt the need to closet herself is Demi Moore, although the media has taken its share of jabs at her substantial collection (by some estimates, more than 3,000 dolls valued at more than $2 million, all displayed in a house of their own). It seems that Demi’s first husband, Bruce Willis, initiated her love of dolls by purchasing her a pair of Anne Mitrani dolls early in their courtship. Demi loved the dolls and quickly got bit by the collector bug. Her second husband wasn’t all that enthralled with his wife’s blossoming collection. Here’s one quote from Ashton Kutcher that doll collectors will find particularly endearing:

“They upset me – I saw Chucky! These things freak me out, man, and she’s got like thousands of them. They’re everywhere – and they’re freaky. I think the dolls have souls. And they’re always looking at you – we have some in the bedroom and that makes things just weird. Some of these things are worth a lot of money apparently but they frighten me a little bit.”

What a prize he was. You’re better off without him, Demi.

Demi Moore holds a Robert Tonner doll purchased for her at a charity auction by her then-husband Bruce Willis.

I had dug up this information on Demi last week, while I was researching for this post on celebrity doll collectors. Demi seemed to be the most “mainstream” collector out there. And then, performing yet another doll/celebrity Google search, I saw a headline that I was certain I had read wrong.

Johnny Depp, ardent collector of celeb dolls

And this:

Johnny Depp’s Barbie collection: Depp says ‘It’s one of the things I’m good at’

I wanted to shout it from the rooftops.

It appears that Johnny Depp, the coolest of the cool kids in Hollywood, one of the most respected, most celebrated male actors of our age, collects dolls.

No way.

According to the various Hollywood media reports I uncovered, Depp’s collection includes “dozens and dozens of Barbies, all limited and special editions.” His focus, apparently, are dolls depicting Hollywood celebrities, including himself. Beyonce, Elvis, Paris Hilton, Marilyn Monroe, Audrey Hepburn, and Lindsay Lohan are also listed by anonymous “sources” as some of the celebrity dolls in Depp’s collection. In interviews, Depp has no qualms talking about how he plays dolls with his kids and owns that he has “a lot of Barbies in storage.”

Fun with Photoshop

In fact, it seems like Depp enjoys his own play with his collection. Several Hollywood news sites state that the actor dresses and accessorizes his dolls to reflect the goings-on of various Hollywood divas. This includes his Lohan doll, which sources say Depp had accessorized with an ankle bracelet when Lindsay was put under house arrest. Johnny Depp, it seems, is a collector who has learned “the power of play.”

“Surely,” I thought, “if Johnny Depp collects dolls, then it will be perceived as ‘normal.’ If someone this cool is a doll collector, how can I be called weird?”

Pretty easily, it seems.

“Johnny Depp: Barbie Enthusiast, Creepy Doll Collector” rang out the headline of Details magazine. “No, that’s not creepy at all,” wrote Details’ resident blogger, in response to Depp’s confession to Jimmy Kimmel that he “has a lot of Barbies in storage.”

*sigh*

Apparently it will take more than Johnny Depp’s Barbie collection to break the general distaste and contempt our society as a whole reserves for doll collectors. I believe that even if that embodiment of the very pinnacle of masculinity itself—Don Draper—acknowledged possessing a doll collection, it still would likely not remove the stigma associated with it.

Then again, I thought, perhaps it’s not so bad to be in the company of Johnny Depp and Demi Moore. Demi’s selection of fine artist dolls shows that she has a deep appreciation for art in doll form, and Depp’s admission that he enjoys accessorizing his celebrity dolls illustrates that he is open to expressing his creativity in unconventional ways.

I’ve definitely been in worse company than that.

That’s one hunky doll

Out of this world

I hate science fiction. I know that may make me unpopular with a lot of fashion doll collectors, as I know there’s a lot of crossover between these two groups. There are also a good number of science fiction dolls that use fashion doll bodies. The Robert Tonner Doll Company has produced dolls from Dr. Who, Firefly, Tron, The Hunger Games, and more. I don’t own any of these dolls, as I’ve seen about two science fiction movies in my life–and that was under protest.

I mention this because I just purchased my first science fiction-inspired doll. (That’s doll, not “character figure.” Changing the name does not change that fact that it is a doll, although it may make it more palatable for geeky male collectors.) The doll is “Jupiter Ascending,” which shares the same name as a science fiction movie currently in theatres. The movie apparently stars an actress named Mila Kunis. I have no idea who this woman is, which, according to my friends, makes me a pop culture imbecile. So be it.

Anyway, since I had no previous knowledge of what the actress looks like (I have since Googled her), I had no expectations of what her sculpt should look it. I am told that it bears only passing resemblance to Mila. You be the judge of that. I just think she’s a pretty doll, and, as a fashion doll collector, that’s all I care about.

Mila Kunis

I mention this because sci-fi fans/doll collectors may have some disappointed expectations in this doll due to the alleged fact that the doll bears little resemblance to the actress it is supposed to portray. I urge those who fall into that category to look beyond that factor–if you do, you are missing one gorgeous doll.

I have mentioned before in this blog that I very, very rarely purchase a doll soon after it is released. This rule especially applies to Tonner dolls, as the company holds frequent and generous sales, in some cases not that long after the dolls first appear on the market. That said, there is the occasional doll that strikes my fancy so much I do purchase her out of the gate. The last time this happened was last year soon after the Tonner Convention, when 15th Anniversary Tyler was offered for sale. I could not push that “buy” button soon enough, and I was rewarded with a truly stunning, quality doll.

“Fifteen Years” Tyler (She’s WAY more impressive in person)

I felt the same way when I saw pre-production photos of Jupiter Ascending. She is so different from the many fashion dolls in my collection, and her outfit to me looked like haute couture at its finest. I could totally see a human-sized version of this dress worn by a model strutting the catwalk during New York Fashion Week. I decided to break my “wait for a sale” rule and purchase her from a retailer. Although the doll’s MSRP is $240, she can generally be had for $200 or a bit less from most retailers, who typically discount their dolls 15%-20% when they are first released.

I received Jupiter in the post yesterday, and I was impressed as soon as I opened the box. Let me say at the start that this doll’s complex getup–a reproduction of a gown worn in the film–could very easily have been executed in a very chintzy, gaudy manner. Its excess of sequins, embroidery, and attached flowers of different sizes could have spelled disaster in the hands of a less practiced dollmaker. But Robert Tonner did this costume justice in its recreation. The gown is high-quality and tasteful. Yes, it’s way over the top, but that’s what haute couture (and, I suppose, the latest fashion in science fiction films) is supposed to be.

The gown’s fit is perfect, and it drapes beautifully from her waist.

photo 2The design continues on the sides and back. No cutting corners here.

backSequins, embroidery, and flowers are tastefully arranged on the gown.

detailHer headpiece is a marvel. It is huge, and, again, in less practiced hands, it could have been gaudy as hell. But somehow it works. It is attached to the head with a loop that fits over the back of the doll’s updo, making it very sturdy. No chance of this thing falling off.

The shoes are simple, white pumps. An appropriate choice, as any more frippery at this point would be a bit much.

shoes

There are two items that I would have done differently. The dress is lined in white only from the waist down, which makes those areas above the waist not covered in sequins or embroidery a bit sheer. And Jupiter’s right boob is lacking in this frippery. (Can you tell I like that word?)

I personally don’t care to see my doll’s boobs in a full-length gown. (I’m no Sybarite fan.) I have no idea why Tonner chose not to line the top of the dress. It seems like an odd choice, given the attention to detail of the rest of the dress.

Exposed boobs are all the rage in the Sybarite world.
Jupiter's boobs on display
Jupiter’s right boob on display

Jupiter also came with wrist cuffs, which I believe were recreated from the film. On the doll, they are flimsy and cheap-looking, and they attach with a large snap, which makes them lay awkwardly on the doll’s wrists. I took them off as soon as I finished photographing the doll. They add nothing to the outfit. The earrings were lovely, though. Small silver rhinestone flowers. A nice change from the studs Tonner usually gives his girls.

Totally unnecessary
Totally unnecessary

As far as the sculpt goes, I just love it. It would be terrific to see this face again in a fashion doll line (although, since it was produced under license, that’s not likely). Jupiter has a lovely, serene face with just a hint of a smile. Her face is fuller than most of Tonner’s fashion dolls, which, IMHO, makes her a refreshing change from the vast majority of angular faces in my collection.

Mona Lisa smile
Mona Lisa smile

So that’s all I have to say about that. Your thoughts?

A (doll) room of our own

Every doll collector knows that the only thing better than a new doll is new doll space. For those of us outside of the 1%, the biggest burden we bear as doll collectors is trying to find space to display the damned things. Dolls, of course, are like potato chips. … You can never have just one. Or two. Or two dozen. Dolls get lonely too. They need friends. And friends with benefits. And spouses. And kids. And mistresses. And extended family. And nemeses. They breed like rabbits. And they need their space.

space4
Surely I can squeeze one more in…
Perhaps not.
Perhaps not.

I am one of those lucky people with a “doll room.” Which, for me, means that the majority of my dolls are crammed into our small third bedroom. When my husband and I purchased this house–our first–eight years ago, I was delighted to finally have that “grail” that all serious collectors covet–a room of my own designated specifically for my dolls. My husband was more than happy to give this to me. In our former apartment, he slept in a bedroom festooned with dolls, including the 3-foot Himstedt that stood on his bed stand. He took the second bedroom as his “man cave” (which he would have to sacrifice three years later when our son came along, but everyone knows that doll rooms take precedence over man caves).

All lined up
All lined up

What my room lacked in square footage it more than made up in vertical space. I eyed those cathedral ceilings and envisioned tall display cabinets and shelving that would help me maximize what I had to work with. When I set up my doll room in my new house eight years ago, my collection had room to grow, and, over the years, I slowly filled up the space with creative display techniques that have enabled me to show off the majority of my collection at once. It’s an organized sort of chaos. Yes, it’s crowded, but it also feels like home. A futon in the middle of the room gives me comfortable space to stretch out and redress my girls while listening to the latest podcast of This American Life. (It’s a guest room too–for those who don’t mind 500 pairs of eyes staring at them while they sleep. On the plus side, it keeps down the number of overnight guests we get.)

I just about reached maximum doll capacity a few months ago. The one piece of real estate left was a bookshelf that contained a selection of my husband’s large military history book collection. (Doll collectors and military historians share a surprising amount of chemistry.) This was the last remnant of the “man cave” that predated my son’s entrance into this world, and I generally tried to keep my mouth shut about how cool it would be to have that space for the girls who had taken up residence in the garage due to the doll room’s worsening real estate crisis.

And then out of the blue the husband tells me he’s rearranging the house and is moving the bookcase elsewhere. It was like hearing that Christmas was coming twice this year.

I immediately began to make plans in my mind. I had my eye on a beautiful, tall, long-neglected walnut bookcase in our garage. Its deep shelves could accommodate 16-inch dolls, and I envisioned creating mini dioramas in them. All of the rest of my shelf space was filled to capacity with dolls lined up like toy soldiers. This space would be different–it would be my creative space, my in-progress space, where I would frequently rotate displays.

I’ve enjoyed playing with this new space during the past month, and I’m happy with the mini dioramas and small scenes that I’ve created thus far. I recently ventured into the resin fashion ball-jointed doll (FBJD) world, and I now have space to better access and display them.

I am so grateful for this little escape in my little townhouse in my little central Florida town. In this doll space of my own, I escape the sometimes difficult realities of a full-time job in corporate American and an obstinate four-year-old boy who is certain that my function on this earth is to please only him. After I close my computer for the night and tuck the little one into bed, I am able to get creative with my dolls for an hour or two before it’s time to head to bed and face it all again.

And that’s why we’re in this hobby, right?