Before and After

So several of you contacted me after I wrote my entry about the travails of moving a considerable doll collection, asking to be updated as my move progresses. At that point, I was trying to impose some order into packing up my 514 treasures (yes, I counted). Since then, my husband and two other manly men undertook the task of moving “my girls” to a storage facility in anticipation of showing our house (not without the occasional snarky remark, of course). Our Realtor seemed to  think that 514 dolls may be a bit distracting to prospective buyers looking the place over. I can’t image why. Personally, it would make me buy the house in a minute. But that’s just me, I suppose.

Anyway, with the majority of my girls secured in a climate-controlled facility, their former home (the erstwhile “doll room”) is astoundingly spacious. I did reserve my right to keep a few (well, 30) out of captivity, as those dolls are either very close to my heart or represent a significant financial investment (sometimes both). And there is no way I am going to let them out of my sight. I’ll walk all 1,000 miles to Maryland with them in my arms, if need be.

Today is the first day our house is on the market. I’ll be sure to keep you up to date as the Great Dolly Move Drama progresses. For now, without further ado, below is a pictorial timeline of my dolly move thus far.

From this:

To this:

To this:

The doll that made me eat my words

I’ve always sworn I’d never allow any “playline” dolls into my collection. I despised their skinny bodies and what were usually bulbous heads. (Of course, I have no problem collecting Ellowyne, so I’m a hypocrite in that area.) But I held my ground. Barbies (with the exception of Silkstones) were cheap and gaudy, Monster High dolls were freakish, and Bratz were just icky. Any of these dolls and their many knock-offs would look even cheaper than they already were if I put them next to a stylish Tonner or Numina doll. No, thank you. REAL collectors do not allow big-headed plastic freaks of nature into their collections.

And then I met McKeyla. I spotted her in the Toys R US store in Times Square in New York. I take a lot of business trips to New York City, and I always try to sneak in a visit to the ginormous Toys R Us in Times Square. I was walking through the doll department (of course), when I found this new line of dolls called “Project Mc (squared).” It is a series of 10-inch tween girls that aspire to be scientists. Some of them come with science “experiments” you can do at home. They are adorable, and I love the idea of selling aspiring scientists to little girls in the form of dolls their own age.

Then “McKeyla McAlistster” looked at me with her big green eyes inset in her bulbous head and her cute little t-shirt and shorts. “Buy me,” she whispered. “I won’t tell anyone. It’ll be our little secret.”

“But my other girls will make fun of you,” I told her. “They are all perfectly proportioned. And you look ridiculous with your big head and impossibly skinny legs and arms. You will be the laughing stock of my doll room.”

McKeyla looked hurt. Then she narrowed her eyes at me. “So what about Ellowyne, Prudence, and Rufus? Are they what you call ‘perfectly proportioned?’ Rumor has it that your own husband refers to Ellowyne as ‘that encephalitic doll.’ And my aspirations go far beyond suffering from chronic ennui.”

McKeyla was right. I looked at her price tag. Seventeen dollars. What kind of sophisticated doll collector spends $17 on a doll? That barely covers the postage of some of the dolls I buy.

I looked at McKeyla again and took a deep breath. “Ok,” I said, “but I’m not buying any of your friends.”

She looked at me knowingly. “Of course you’re not,” she said.

I picked up her box a little more roughly than necessary and headed for the checkout line.

After going back to my hotel, I took McKeyla out of her box and looked hard at her. She was adorable, and I loved her back story of wanting to be a scientist when she grew up. Each of the girls in the MC (squared) line represents one of the STEM fields (science, technology, engineering, and math). Given the paucity of girls who are encouraged to pursue these fields, it was great to see this effort to encourage girls to role play as tomorrow’s coders and mathematicians.

As far as McKeyla’s construction goes, her plastic body was pretty light and cheap, and her articulation was minimal. But her hair was thick and long and curly, and she had the perfect number of faint freckles across her nose. “Aren’t you glad you bought me?” she asked.

“I guess so,” I said.

“A doll doesn’t have to cost a fortune to be collectible,” she said, giving me a knowing look.

The damned thing was smart, too.

So today, a week after McKeyla entered my life, I found myself in Wal-Mart, shopping for a few household items. After a while, I succumbed to the siren song of the toy department and scanned the shelves for the E=Mc (squared) dolls. I soon found them. I sorted through McKeyla’s sisters, reminding myself of my determination not to furnish McKeyla with any siblings.

And then I saw Bryden Bandweth. She included a “science experiment” (materials to make a glow stick), and she wore a cute, casual, layered outfit. And then I saw her articulation. Apparently, the dolls in these more expensive doll + experiment kits had bodies with articulated elbows, wrists, and knees. A cute face AND articulation. For $25.

Dammit.

When I brought Bryden home, I tried to hide her from McKeyla for as long as possible to avoid her obnoxious “I told you so” stare. But I did intend to display them together, so I ultimately had to introduce them. I was right about McKeyla’s reaction.

“So you only lasted a week, huh?” she sneered.

“Oh, shut up,” I told her.

But this is it. I mean it. No more playline dolls. When I’m in NYC again next week, I will not go to Times Square.

I think.

(For a truly thorough review of McKeyla, check out The Toy Box Philosopher.)

How (not) to sell dolls on eBay

The vast number of collectors of fashion dolls are also sellers of fashion dolls. Some people are retailers as well as collectors, but the main reason people sell is to generate funds for the market’s newest shiny objects. Fashion doll collectors are a notoriously fickle lot. What they are scrimping and saving to buy today, they are selling at half-off tomorrow to buy something new. In recent years, I’ve seen collections turn from vinyl to resin seemingly overnight. Although my own collection has undergone a similar transformation, I tend to be a hanger-on to dolls no longer in vogue while my collector friends march on ahead of me to the next trend.

And yet, in the two decades I’ve been in this hobby, the hundreds of Barbies that once populated my shelves have given way to Tyler and Co. and many of her 16-inch sisters. Child dolls created by Annette Himstedt, Jan McLean, and Helen Kish also adorn my doll room. I’ve even returned to the 12-inch crowd in the form of the occasional Fashion Royalty gal who joins the ranks. In all, I probably have about a dozen Barbies left—out of the hundreds that once populated my mini-Mattel Altar of Pink.

In the very recent past, even my strong determination never to let those expensive, fragile, bitchy-looking fashion resin BJD monstrosities onto my shelves has come crashing down as two Numina sisters and a Modsdoll somehow made their way into my home. And then they were joined by two child resin BJDs, which had previously looked like grotesque alien children to me. (What’s worse—I actually sold some vinyl dolls to afford them. Oh, the hypocrisy!)

Now Tonner’s fashion dolls—and even the occasional Silkstone Barbie—still make their way into my home. I still purchase more Tonner dolls than any other. With the possible exception of Paul Pham, I think Robert Tonner continues to corner the market on beautifully realistic facial sculpts. And, of course, I do not have to sell a kidney to afford a Tonner doll. But when a gorgeous resin BJD does turn my head and I “have to have” her, there usually isn’t an extra $600 floating around in my bank account. So the rows of girls currently lining my shelves cower in fear as I contemplate how much each is worth and who to vote off Dolly Island.

But turning those dollies destined for new homes into cash is no easy proposition. It’s not that there aren’t potential buyers out there—there are plenty. The question is how to reach them and entice them to buy your goods. So below is a brief primer on how to sell a fashion doll in today’s secondary market—even if you have to do it on EvilBay.

Rule #1: Treat eBay as a last resort.

The first rule of selling on eBay is to avoid eBay at all costs. Long-time eBay sellers will tell you that the world’s largest flea market has become incredibly hostile to sellers to the point that their sales have become entirely dependent on the good will of their buyers—which is often in scant supply. Over the years, eBay has slowly chipped away at any recourse sellers once had against dishonest—and sometimes outright criminal—buyers. And we are not talking nickles and dimes here—high-end fashion dolls can be quite pricey.

Listing eBay’s sins against buyers would take up more space than I care to dedicate in this column, but suffice it to say that the company now compels sellers to accept returns from buyers for any reason and to pay the buyer’s return shipping on top of that. Oh, and your seller rating will suffer as well. I once had to accept a return from a buyer for a baby doll that the buyer claimed was defective because the baby doll would not stand up. I paid return shipping and had my nine-year-running 100% rating downgraded. Because this woman expected a baby to stand up.

Yes, it’s gotten that ridiculous.

And the fees have quadrupled since I joined eBay in 2004. The company now cheerfully takes a whopping 10% cut of your sales in return for its stellar customer service. And, of course, eBay also owns Paypal, and, since sellers are required to conduct their transactions through Paypal, they too can raise their transaction rates at will. It’s like paying to be mugged—twice—with each transaction. And until a viable competitor arises, those double fees are going nowhere but up.

Rule #2: Explore alternative selling venues.

So before heading to eBay with your precious dollies, exhaust all other resources. They do exist, and they can work well. Sellers on doll boards not only avoid eBay’s headaches and fees, selling within the doll community also often means dealing with a much more honest group of people. Over the past ten years, I’ve had two doll deals conducted on doll boards go bad. On eBay, I’ve lost count. Doll boards do a terrific job at policing their own communities. Buyers and sellers know that if they screw one person, their names quickly become mud as their identities spread like wildfire across the dolly universe. And it’s not a large group of people we’re talking about, so it’s not difficult to ruin your reputation across multiple boards after a deal gone bad on just one board. As I’ve said before, you don’t want to f*** with doll collectors.

When searching for venues for selling your dolls, don’t just limit yourself to your local doll message board. Collectors have set up swapping/selling/trading Facebook pages specifically for collectors of specific dolls. Mister Dollface, a new collector-run secondary marketplace, has gotten off to a good start. I’ve had some very smooth transactions on both Facebook and Mister Dollface, although not without first doing my due diligence. Honest buyers/sellers should always be happy to provide good references. Use caution and common sense before approaching any deal—particularly a pricey one.

And speaking of pricing, keep in mind that when you are selling off eBay, you are saving yourself not only the hefty eBay fees, but also a potentially significant amount of pain and suffering. So when pricing items for sale on a doll board, Facebook, or Mister Dollface, I start with what I think the doll will sell for on eBay, deduct eBay’s 10% fee, and then take another 5%-10% off for avoiding what I call eBay’s general “pain and suffering.” So if the doll sells, it’s ultimately not for much less than I would have gotten on eBay, and the savings is passed on to the buyer. Everybody wins.

Rule #3: Do your homework.

So, if the informal, online doll collector network is such a great place to sell, why do we need EvilBay at all? One word: Reach. eBay’s vast, international reach means that more potential bidders will see your goods than on any other venue. When I really need to sell a doll fast, EvilBay is unsurpassed in its reach to interested buyers. Dolls that have lingered for months on the doll boards to which I belong often sell in days on eBay. So, whether you have a particularly expensive doll to sell and need a wider reach, or if you are robbing Peter to pay Paul, if you must go to the Dark Side, follow these tips:

Rule #4: Price to sell.

I’m not exaggerating when I say that about 75% of the fashion doll auctions currently listed on eBay are priced in the upper stratosphere of the market. I’m sorry, but an unremarkable mint Tyler Wentworth doll from the 2006 line is not going to fetch you $249. No matter how many times you renew your auction.

The optimism I see in such auctions is truly stunning to behold. And it gives people like me a chance. Sellers who know how to price, sell. And they can sell high. One weekly reseller of mostly Tonner products lists each item on eBay at $9.99. And her items often fetch top dollar.

But sometimes they don’t. Pricing competitively also means taking a risk. How much of a risk is, of course, up to you. But whatever you decide, do yourself a favor and don’t price your item in the dark. Do your homework. Researching price is one thing eBay does make ridiculously easy. A simple advanced search of completed listings will tell you what amounts your item has fetched in the recent past. And it will likely give you a longer list of overly enthusiastic prices that bidders have passed on—repeatedly.

My own strategy is to take the average winning bid and price somewhat below that. How much below? Here comes the gambling part. Simple psychology will tell you that bidders are more likely to bid an item up if the starting price is low. That’s why an item with a starting bid of $29.99 may ultimately go for $225, while the same item listed at a BIN of $225 will linger unpurchased indefinitely. When bidders see a $29.99 starting bid for an item worth eight times as much, they are more likely to take a gamble to get a “deal,” even if they ultimately end up paying the same price as a fully priced item. Thrill of the hunt and all that.

So let’s say I have a doll that I wish to sell on eBay. I research past prices and find a high-selling price of $150 and a low-selling price of $100. So I list the item at $75, which will hopefully make the item attractive to bargain-hunters hoping to score a deal. The risk, of course, is that bidding will stop at $75, and I will end up low-balling myself. The rosiest outlook is that I will start a bidding war and the auction will close on the high end—or beyond. Pricing the item very low, say, at $9.99, can attract a good number of bargain hunters and ultimately drive your item sky-high as bidders lose their collective heads in the auction’s waning moments. But, like all bets, don’t count on it. It does happen. But not always.

Rule #5: Take damned good pictures.

Following this simple rule will put you heads and shoulders above your eBay competition. Nothing—and I mean nothing—can make your item more attractive to potential buyers than a few decent photographs showing the item to its best advantage. This especially holds true today, given that most bidders no longer bother with actually reading the item description at all.

I have scored more than a few bargains on eBay by bidding on poorly photographed items that I knew to be valuable. And I have sold at higher-than-market prices items that I managed to photograph particularly well.

You don’t have to be a gifted photographer to make your item visually attractive to potential bidders. Just light your item well, take crisp, clear images, and highlight those little details (shoes, earrings, embroidery) that make your item worth its asking price. This is the best no-brainer advice I can give you on achieving eBay selling success.

Rule #6: Protect yourself.

eBay’s never-ending slew of policies hostile to buyers has put on the onus on us to protect ourselves. Of course, there is only so much we can do within the eBay universe, but some proactive measures may shield us from potential problems before they begin.

First, try to protect yourself from well-publicized “past offenders.” Many doll boards will keep lists of the eBay IDs of dishonest buyers and sellers, and those lists are often updated frequently as IDs are changed and new scammers emerge. Adding these individuals to your “blocked bidders” list on eBay may provide you with some measure of protection.

Also pay attention to your auction “boilerplate,” which should detail your terms of sale. eBay will not enforce any of these terms, of course, but there is the off chance that a bidder will actually read your description and police him/herself. Terms in my own boilerplate include “final sale,” “no full or partial returns,” “please ask all questions before bidding,” and “payment expected within three days.” Again, non-enforceable, but there’s the off chance someone may read it.

One can dream.

Rule #7: Use eBay “services” as little as possible.

Over the years, eBay has multiplied its convenient seller “options” that exploit its ability to rob you of more of your already-miniscule earnings. All-inclusive international shipping services are but one. Avoid these like the plague.

I’ve always avoided squabbles over shipping fees but simply offering flat rates. Sometimes this works in my favor, sometimes not. But it all generally works out in the end, saving both me and the buyer much unnecessary grief. The buyer is under no illusions as to what the shipping costs will be, and it is much, much easier on my end. And my educated guesses are usually pretty accurate. For example, for an average-sized Tonner doll box, I’ll usually charge about $13, and the actual costs, nation-wide, generally fall into that range.

*****

Whether you’re a newby collector or a hardened veteran like me, selling online isn’t for the faint of heart. But that said, it’s also–at least for me–one of the most exciting things about the collecting experience. Refreshing my collection by letting go dolls that I have cared for and loved in favor of new discoveries yet to be experienced is fun. And trying to get top dollar for my dolls can be an enjoyable challenge. But–whether you list on eBay or elsewhere–always look before you leap, and remember that, in today’s online environment, the first rule of doll commerce should always be: “Seller beware.”

Throwback Tonner (#TBTonner): Sydney Chase

Like many long-time Tonner collectors, I have vivid memories of my first encounters with Ms. Sydney Chase. Sydney made her entrance into Tyler Wentworth’s world of high fashion in 2001—just two years after Tyler’s debut. Sydney’s beauty was entirely different from that of Tyler’s, a notable contrast that quickly captured the imaginations of her growing legions of fans. Whether intentional or not, Tyler’s wholesome beauty stood in stark contrast to Sydney’s haughty sophistication. Their physical differences sparked the creativity of their fans, and different forms of fan fiction soon surfaced. Most fans agreed on the dichotomy the two dolls represented—Tyler the wholesome, over-achiever, and Sydney, the world-wise, scheming business woman. While Tyler cultivated friendships and family bonds, Sydney thrived on duplicity and deception on her way up the New York City social ladder. While Tyler designed wholesome outfits for her prep-school tween sister, Sydney bought and sold the models at her Chase Modeling Agency like so much chattel. While Tyler slept exclusively with her boyfriend, Matt O’Neill, Sydney slept exclusively with everybody.

I began collecting Robert Tonner’s dolls in 2004, three years after Sydney made her appearance in the Tyler Wentworth line. She was then at the peak of her popularity, often selling out on pre-orders. I recall those heady days of anxiously awaiting the newest Tyler line to go live on the Tonner website, jotting down which dolls I wanted to order and quickly forwarding my list to my dealer, in hopes I would get to her in time. Most dealers gave modest discounts to attract business, but in those days there was no need for deep reductions. Those dolls went like hotcakes, and, even though their edition numbers ran into the thousands, they could multiply in value several times over on the secondary market. Accusations of dolls scalping ran high as people bought low and sold high.

The vast majority of my early Sydneys remain in my collection. Dolls like “Black and White Ball,” “Love Is Blue,” and “Absolutely Aspen,” with their fantastic fabrics, exquisite detailing, and perfect tailoring have remained classics long after their novelty faded. Many of my dolls remain dressed just as they were they day I received them. “Cocktails on the Plaza,” “Beyond Envy,” and “Just Divine” are all perfect combinations of sculpt, color, and style. Looking back on Sydney’s numerous incarnations 15 years after her debut, it’s astounding how few of them were fashion “misses” (I’m looking at you, “High Style 1.0”). That’s quite a feat when you consider how many fashion dolls Robert Tonner was churning out at the time. Once he introduced Tyler and Sydney and their fantastic fashions to the world, Tonner’s reputation in the hallowed halls of doll artistry was sealed.

And so I begin what will be my new weekly feature, “Throwback Tonner” (#TBTonner), with a brief homage to Ms. Sydney Chase with a handful of the many photos I’ve take of her in years past. Here’s to you, Syd. May you remain as beautiful—and as bitchy—as you were the day we first met.

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Spring Prelude Syd

On top of Doll Mountain

KewpieA few weeks ago, I wrote a blog entry about my impending move out of state and the unsavory task of packing up an obscene number of dolls acquired during my 22 years of collecting. Many of you wrote me, asking to be kept updated on the drama of moving a doll hoard—I mean collection. You’ll be happy to know that I have succeeded in my task, and the seven curios, nine shelves, and innumerable boxes that once occupied my doll room have been replaced by what my family has dubbed “Doll Mountain.”

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BOXES ONE BOXES TWO boxesI must admit that it’s an impressive sight. And I think I did an admirable job of consolidating the real estate that my 500+ girls occupy. I tossed out about 70% of my doll boxes, and instead carefully packed about 300 girls in sturdy plastic bins (complete with desiccant packs to avoid molding). The remaining 200 or so girls had either intricate gowns or hairdos or were deemed “too special” to travel via cargo. So they were lucky enough to get their own individual boxes.

The larger girls also got their own boxes in which to travel. Packing my dozen Himstedts (many taller than three feet) was no easy task. I have most of their huge boxes and shippers, but dragging those boxes out of storage meant confronting the ever-present “palmetto bugs” that reside in our garage. If you’ve ever seen a Florida palmetto bug, you know that it can reach roughly the size of a small rat. Now, I’m not frightened of many things. Snakes and spiders are fine with me. But Florida roaches are a fucking freak of nature and need to be destroyed at all costs. Needless to say, there was a lot of shrieking in the garage and orders to my husband to “kill the damned thing.”

The things I do for dolls.

Himstedt packing in progress. Can you spot the real child?
Himstedt packing in progress. Can you spot the real child?

I was nervous about packing my porcelain and resin dolls. In particular, I have one delicate porcelain Native American mother and child dressed in real leather and adorned with turquoise and sterling silver. Her artist named her “Butterfly Mother,” and she stands about two feet tall. I love this doll. I purchased her at, of all places, Trump Tower in Las Vegas for an amount of money that I will divulge only upon pain of death—and perhaps not even then. It was 2004, and I was in Vegas with my mom to see Barry Manilow in concert. (Yes, you read that right. Don’t judge.) This was also the trip in which I took my mother to see a Chippendales show. She enjoyed it way too much.

dancersSo, as you can imagine, this doll is not only gorgeous—it’s steeped in memories. I used a combination of bubble wrap, foam, and packing peanuts to cushion mother and child. I’ll be putting this box in the car with me when we make our journey. Not trusting any moving dudes with this treasure.

moving-homePacking up my girls did give me the opportunity to appreciate each one individually. It also was a chance to do an inventory. I entered the name of each doll in an Excel spreadsheet as I packed it away and noted the numbered box it was going into, which will help me identify where specific dolls are when we arrive at our new home. I’ve always been terrible at keeping track of my hoard, instead relying on memory, which, when it comes to dolls, is scarily good. I only had to consult the Internet a handful of times to identify specific dolls or their outfits as I packed them away. If only my memory worked just as well when it comes to locating my keys or glasses.

I was also able to identify a dozen or so dolls that I can live without. I’ve mostly sold them off, which will allow me to pay for a particular doll I’ve been waiting for all year. Paul Pham’s latest Numina doll—Sung—will join my other Numinas—Stratus and Alma—in October. Pinch me.

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With the dollies and lots more of our household in boxes and ready for storage, hubby and I are working on some minor house fixes. So if anyone out there is interested in relocating to sunny Tampa, let me know and I’ll give you a deal!

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Happy Dolly Fourth of July!

This is just a quick post to wish my American readers a festive July 4th. I am currently in Colorado visiting with my husband’s family. My in-laws live in a mountain community of less than 1,000 residents. No more than a dozen businesses line its main street, and there is no stop light. It is a quirky town, and breathtakingly beautiful.

When we visited last summer, I took a doll with me and photographed her against the mountains, valleys, and lakes we came across. This year I am doing the same, with the added bonus of sharing my doll photography time with my 7-year-old niece, who brought along her American Girl doll. It’s been so much fun getting to share my love of dolls with a little girl who is just starting to become enchanted with them. As soon as I arrived, my niece unpacked her backpack of American Girl clothes and accessories, and we both began redressing our respective dolls. I adore my son, but it is so magical to be able to relate to a child through doll play. Playing cars and trains with my son just isn’t the same.

Today my niece and I took our dolls outdoors to photograph them for the Fourth of July holiday. A holiday craft project created by my mother-in-law provided a festive backdrop.

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Even Barbie joined us for a while.
Even Barbie joined us for a while.

This year, my travel doll is “Sage,” a platinum Cinderella Tonner doll repainted by “K.” Sage wore some older Tonner separates for her photo shoot. I love the pieces that Tonner created for Tyler and friends when that line was in its heyday. They remain the basic staples of my dolls’ closet, and I return to my favorites (like Sage’s top) again and again.

Last year, Blush and Bashful Tyler accompanied us to Colorado. I was able to get some terrific photos during several day trips we took.

After our photo session was done, my niece and I headed for a playground, where our dolls joined us on the swings. It will be difficult to leave the crisp mountain air for Florida’s heat and humidity when we return home in a couple days.

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Kristen’s Tale (or Why You Should Never F*** With a Doll Collector)

Five years ago I bought a gorgeous repaint off eBay. She was a fresh-faced young woman who had begun life as Tonner’s Cinderella. Her artist sprinkled freckles across her face and chest, gave her nose and eyebrow rings, and painted an understated rose tattoo above her right breast. Her crowning glory was a fabulous head of variegated brown dreadlocks, which hung past her shoulders and down her back. Yes, she had the stereotypical hipster vibe, but she preserved the look of a young innocent and hesitant adventurer. I fell in love with her at first sight, checked my dolly budget, and eagerly clicked the “buy” button.

Her artist, the talent behind “Bordello Dolls,” promptly shipped the doll—christened “Kristen”—and sent me her tracking information. A few days later, I received a USPS notice on my front door advising me that Kristen’s delivery had been attempted. I work out of the house full-time, so I signed the slip, asking the postman to leave the doll at my door. I waited three days for Kristen’s redelivery, but she did not arrive.

I contacted the post office, which swore the doll was delivered per my instructions. I then contacted the artist, who also contacted her post office, and she got the same reply. The front desk worker at my post office produced my signed slip and said they had done their job. The slip indicated that I authorized delivery without a signature, so they were not responsible for the doll once it was redelivered at my front door.

I had never had a package stolen before, and I live in a low-crime neighborhood. I feared I was out both the lovely Kristen and my $300, but the artist kindly offered to paint me another doll, which was more than nice of her, as she was not the one at fault. I knew, however, that there was only one Kristen.

It was the next day or so after my doll disappeared that I was casually browsing my typical haunts on eBay, and I saw Kristen again offered for sale. This time the seller was not Bordello Dolls, but one completely unknown to me. The auction was a carbon copy of the artist’s original one, complete with her photos and description.

WTF?

Was this seller my thief? Or was it another rip-off artist trying to sell a doll he/she did not have, making this a very weird coincidence?

In my confusion, I sought advice from the established online Doll Authorities—my favorite doll community board (in my case, Prego).

The Pregoites immediately swung into action–as I knew they would–doing the background checks and homework that I didn’t have time to do with my hectic work schedule and small child. In no time, they had shut down the criminal’s eBay account (these were the days in which eBay was actually responsive to their customers’ needs). Other Pregoites researched the seller’s background and soon identified him as a well-known con artist in the doll world—although his “real” name was unknown.

By now, conversation about Kristen and her whereabouts dominated the board’s discussion on a daily basis. Theories were put forward, allegations were made, and the most die-hard sleuths remained committed to identifying the thief by name. The biggest mystery, of course, was how this random member of an online doll community manage to identify me as the buyer of this specific doll, get my address, stalk my postman, and then steal the doll from my front door. The unlikelihood of it all seemed to propel my amateur detective friends on in their quest to solve the mystery.

In the meantime, I contacted my local police station to report the theft and enlist their help. As I related my unlikely tale to officers whose job it is to track down stolen goods, I could sense their incredulity in the silence on the other end of the phone line. And when I told them the stolen item was a doll purchased off eBay for $300, I actually heard a chuckle. At which point I slammed down the phone and muttered obscenities about the uselessness of my local taxpayer-funded police force.

But the real detectives wouldn’t give up. Finally, one day I heard from a Pregoite who had not only identified the thief, but also had his street address.

He lived within a ten-minute drive of my house.

After more digging, it was discovered that this individual was a member of Prego himself. He apparently saw a previous post in which I announced my purchase of Kristen, located my address, stalked my postman, stole the doll, and then listed her on eBay.

WTF?

Prego is an international board, but its membership is relatively small. The entire fashion doll community is small—estimated to be no more than several thousand. The fact that someone in my neighborhood was a Prego member, managed to identify a specific doll I had purchased off eBay, tracked down my address, found out exactly when that doll was being delivered, and then stole that doll from me to repost it on eBay strained belief. A few people even hinted that I had staged the whole thing. I almost couldn’t blame them.

With a physical address, Prego really sprang into action. They had a name and an address, and they did everything in their power to shame this person into returning the doll. They also knew his personal email address and they knew that he was on Prego, so they peppered him with threats if he did not return the stolen merchandise. They threatened everything from legal action to a good house egging. I could not help but to sit back and enjoy this rallying to Kristen’s defense.

And now comes the most unbelievable chapter of this unlikely tale of dolly theft. One evening in the midst of this drama I couldn’t sleep and went downstairs into my kitchen to get a glass of milk. It was probably around midnight. I was startled by some scuffling close to my house, and I peered out the kitchen window. I saw nothing. I attributed the noise to some random animal and went back to bed.

The next morning, when I opened my front door to go to work, I tripped over a Tonner-sized box. Kristen had come home.

KristenNews of the doll’s return brought much joy to the Prego community. My dolly friends had accomplished what the post office and police refused to—and they did it with far fewer resources. I learned that day to never, ever fuck with the doll community or one of its own. They will take you down.

Hell hath no fury like a doll collector scorned.

Dolly orgy averted: A wedding tale

Since my husband has always vied with my dolls to be first in my heart, it was important to me to accommodate both of them on my wedding day—which took place eight years ago today. So not long after I said “yes” to the ring, I suggested to my fiancé that we place doll bride and groom centerpieces at each of the tables at our reception.

That did not go over well.

Instinctively jealous of his long-time rivals, my husband demurred, refusing to share our day with my beloved vinyl works of art. This, of course, got my hackles up, and we ended up nearly divorcing before getting married in the first place.

After we dug in our respective heels, intense negotiations followed. The upshot was a compromise in which we agreed to one dolly bride and groom to be placed on the gift table at our reception. It wasn’t what I originally had in mind, but I had been told that marriage was all about compromise, so I was willing to be the bigger person just this once.

After much long-distance preparation for a Colorado wedding, the Big Day arrived. The ceremony was lovey, if unconventional, and our guests entered the reception hall in fine spirits. The doll display generally drew smiles, particularly from the groom’s guests, many of whom had not been told of his now-wife’s obsession. But we were legally hitched at that point, so it was too late for them to talk him out of his obvious mistake.

Since many guests were the parents of young children whom they had made someone else’s problem for the evening, the dancing carried on until late, and the alcohol continue to flow. When I took the occasional break from the dance floor, I noticed that my wedding dolls were frequently changing positions, and it pissed me off a bit that my guests were taking liberties with them. But being a new bride made me temporarily indulgent of such behavior, and I so dismissed my concerns as petty.

When the festivities finally came to an end, and my new husband, our parents, and I were clearing the hall of decorations and gifts, I went to gather my vinyl bride and groom. To my dismay, I found them laying down, the bride’s gown hitched up around her neck, in what is traditionally referred to as the”69” position.

Part of me felt violated. A larger part burst into loud laughter.

About a month later, my husband and I developed the photos from the disposable cameras we gave our guests so they could snap pictures during the reception. (This was a common practice in the pre-digital Dark Ages.) Among the photos, we found picture after picture of my poor dolly bride and groom in nearly every sex position imaginable. Apparently, my dolls were more of a hit than I had realized. And our friends were much more immature than I had given them credit for.

Looking back, I am now grateful that my husband prevented me from placing my dolls on each reception table. It would have been a veritable dolly orgy.

(Editor’s note: Today’s post is dedicated to my husband of eight years. It’s been a crazy ride, and I think we’re stronger for it. I love you, Shawn. We have an exciting road ahead. Just keep swimming.)

If I don’t get one of these dolls, I will simply die

Once upon a time, the annual Tonner Convention was a big event that I shared with my mother and looked forward to for months. In the early 2000’s, we traveled to Orlando, Chicago, and beyond, soaking up the excitement of an event that only other overly enthusiastic doll fanatics can truly understand. We would typically tack on a couple days to our adventure to see the local sights. One of my favorite memories of my mom is going on a Segway tour of Chicago with her during a picture-perfect June day in 2007.

segwayBut of course, the only constant in life is change. Mom no longer recognizes either me or her beloved dolls, and I have not attended the annual Tonner Collectors Convention for five years. Besides my mother not being there, some of the luster of that event has faded for me. Tonner fashion dolls were much more in vogue then, and Tyler and Sydney reigned supreme. Those girls got me into serious collecting in the first place, and I’m one of the old-timers who look back with nostalgia on the early 2000’s as Tonner’s heyday in the fashion doll world. Being among the first to glimpse those coveted centerpiece and souvenir dolls of Tyler and the girls of the Chase Modeling Agency–some of the best dolls Tonner ever created, IMHO–made me and my mom giddy with excitement.

OLYMPUS DIGITAL CAMERAAnd those were the days of truly limited editions. Tonner only produced enough dolls for the collectors present–if that many–and there was real suspense over who would be lucky enough to “win” the very-limited centerpieces–which were always huge, over-the-top, and fabulous. (There was actually a time when “winning” was defined as getting the centerpiece for free. Such things actually happened in the doll world pre-recession.)

Today, Tonner makes available excess convention product to the general public a few days after the convention ends. Whether this is a good thing is subject to debate. For me, it’s a bad thing. It takes away a big reason I attended the conventions to begin with. Back in my day, we worked for those convention dolls. We paid for pricey airline tickets, stayed in expensive hotels, and emptied our wallets to ship our hauls back home. Those dolls represented one hell of an investment. And I cherished them all the more for it. And they accordingly fetched a pretty penny on the secondary market–which they should.

When you remove from the equation that giddy suspense of seeing and possessing some of the most deliciously exclusive fashion dolls of the day, you fundamentally change the nature of the event. If I can get the dolls without having to shell out for transportation, lodging, and meals, why go? Tonner knows this, and in response, I see the company making a bigger effort to make their conventions more about being there. They invest in entertainment; fun, interactive games; and silly activities. They may not have as many attendees as they once did, but those they do have seem to be having one hell of a good time (if the videos and photos that end up on Facebook are any example).

But for me, Tonner Con has lost its luster. While I can definitely appreciate their artistry, some of his new doll lines leave me cold. (She may have a great wardrobe, but the permanently stoned expression and jazz hands of Deja Vu just don’t do it for me.) My mom, of course, does not attend any longer, and neither do my closest doll friends–who have mostly moved on to resin FBJDs.

BUT!

This year’s Tonner Con produced some gorgeous and original dolls that have stirred in me some of that original excitement I felt for my first Tonner dolls. There are four in particular that I think are major triumphs. The others are lovely too, just not to my personal taste. And Tonner gave us the most comprehensive convention coverage yet this year. His photographer documented each event blow-by-blow, releasing photos of each souvenir doll as it was revealed to convention-goers, along with descriptions, edition numbers, and prices. It was as close to being there as you could get without actually making the trip.

The biggest objects of my desire to come out of the convention is the Ellowyne group. They are straight out of an instruction manual on how to be the perfect 50s housewife and hostess. They scream “Lucy and Ethel.” Their outfits are well-thought-out, and the fabric combinations work to great effect. Their hairstyles are elaborate and period-accurate. I. Want. One. But I couldn’t possibly tell you which one I like best.

Vintage Tea Ellowyne

Vintage Kitchen Lizette
Vintage Baker Prudence

My second choice is no surprise. It uses the “Kit” sculpt, one of my favorites from the Chase Modeling line. She wears an adorable “rockabilly” themed square dance outfit. Love the execution. Love the hair. Love her.

Dixie

Other dolls included another Rockabilly-themed fashion doll, several child dolls from the “Patsy” line, and Evangeline. The convention doll was a Marley Wentworth gift set, complete with two outfits and two wigs. It’s great to see Tonner offer a gift set again, and Marley’s black coat dress looks lovely and original. But I don’t think I will ever warm up to Marley’s stern expression. She just looks pissed off–nothing like the wholesome, healthy beauty that her sister had possessed in her early years. And maybe that’s the point. Maybe Tyler wouldn’t survive in this world of harsh, eternally angry fashion dolls. Sybarites seem to have set the tone for the age of The Angry Fashion Doll, and now she is everywhere. Perhaps her face reflects the cynicism and frustration of a post-recession world. I don’t know. All I do know is that I miss her sister.

Marley Wentworth gift set

Marley’s angry predecessors:

What are YOU looking at?

So there you go–a convention review from someone who wasn’t even there.

Now excuse me while I wait for these new dollies to go on sale…

When a doll collector moves

Moving is a nightmare for anyone. But for doll collectors, that pain is magnified by as many dolls you’ve amassed over the years. I last moved nine years ago, when my husband and I relocated from Maryland to Florida. Now we will retrace our steps, reuniting with family and friends and beginning a new chapter in our lives. And that all sounds great–until I go into my doll room and realize the massive amount of hoarding that I’ve engaged in during the past decade. And then I just want to say “fuck it,” and stay home.

When we relocated to Florida, my collection was roughly half of the size it is now, and I spent months lovingly packing each individual doll into its corresponding box. Hair nets were put on, ribbons were tied, silicon bead packs were included. I made damned sure no harm would come to my treasures on their journey. And I must admit that it was kind of fun going over each doll and creating a spreadsheet for all of them. I was able to spend time with and appreciate each one.

Towers of boxes in the garage
Towers of boxes in the garage

mess11Today my collection is twice as large and I share my home with a hyperactive 5-year-old child and a menagerie of needy animals, all vying for my constant attention. I no longer have my mother to help out, and my “packing time” during the week is limited to the precious hour and a half I get to myself after my son finally goes to sleep and before I myself fall into bed exhausted.

I am finding this packing process to be the polar opposite of the “fun” I had preparing to move here. I long ago gave up trying to match up individual dolls with their original boxes. I just aim to match them up with their corresponding manufacturer box. That means that nearly all of my Tonner boxes have scribbles on their ends indicating the doll they now contain. Sometimes these scribbles are crossed out and relabeled multiple times. Limited space in our small townhouse (there are no basements in Florida) has meant that I’ve had to significantly cull the number of boxes I store. So this time, each girl will not have her own individual coffin in which to travel. Many of them (carefully packed) will make the journey in plastic bins. Assigning my girls to indignity of this mode of travel would have horrified me nine years ago. Now I don’t give a shit. They’ll be fine.

dolly jail
dolly jail

Our move will likely not take place until the end of the summer, but–knowing now how much time it can take to pack a collection of this magnitude–I began organizing, sorting, and packing dolls three weeks ago. Last weekend I packed dolls for two full days. On Sunday evening, I had packed 325 dolls. And it didn’t look like I made a dent.

I suppose at this point I’m supposed to get philosophical and ponder whether I own my things, or if my things, in fact, own me. And then I should conclude the latter, foreswear all material objects, and walk into the sunset in search of some ascetic commune to join.

But then I would miss the next doll convention. And I’m just not that strong.

Even my bedroom is not spared the dolly box invasion
No room has been spared the dolly box invasion